Black Film British Cinema Conference 2017

The Politics of Race in Contemporary Film and Digital Practice, 18-19 May 2017. Goldsmiths, University of London (Day One) and Institute of Contemporary Arts (Day Two) Whether we consider t... Read more →

A place between desire and experience: Afterthoughts on Carolee Schneemann: Kinetic Painting

‘I want the evocation of space, a place between desire and experience.’ This calls forth from a screen suspended in the Museum der Moderne, Salzburg on the occasion of the exhibition Car... Read more →

Even today there are people who think these harmless little books are dangerous: An interview with David Bordwell

by Malte Hagener Following the conversation with Richard Dyer featured in the Spring 2016 issue of NECSUS, we continue our series of interviews with key figures in the field of media studies... Read more →

For here there is no place that does not see you: ‘Minority Report’ and art as de/legitimisation

by Josef Früchtl (1) Rainer Maria Rilke’s Archaic Torso of Apollo is probably one of the most famous poems in the German language, with its last lines being two of the most quoted by love... Read more →

The Place of Voiceover in Academic Audiovisual Film and Television Criticism

by Ian Garwood The line between academic and non-scholarly videographic film criticism The production of The Place of Voiceover in Academic Audiovisual Film and Television Criticism (2016) c... Read more →

A geography of resistance: Locating US underground film and TV cultures

The latest collection from David E. James[1] and Adam Hyman (filmmaker and former executive director of the Los Angeles Filmforum) offers a historical and critical representation of the emer... Read more →

Dreaming of Cinema / Slow Cinema

Adam Lowenstein’s Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media (New York: Columbia University Press, 2015) and Slow Cinema (Edinburgh: Edinburgh University P... Read more →

Films from Asia, attention around the world: 18th Far East Film Festival, Udine

Debuting in 1999, Udine’s Far East Film Festival is the only film festival in Europe dedicated to East Asian popular cinema. Over the course of its 18-year existence the festival has been ... Read more →

Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival

The annual Melbourne International Film Festival (MIFF) ranks among the oldest film festivals in the world. Launched in 1952 by enthusiasts seeking to watch films that were otherwise unavail... Read more →

How do film festivals work?: A conversation with Joshua Oppenheimer

Few documentary filmmakers have been as widely discussed in recent years as Joshua Oppenheimer. He burst onto the scene in 2012 with The Act of Killing, one of the more powerful feature-leng... Read more →