A place between desire and experience: Afterthoughts on Carolee Schneemann: Kinetic Painting

‘I want the evocation of space, a place between desire and experience.’ This calls forth from a screen suspended in the Museum der Moderne, Salzburg on the occasion of the exhibition Car... Read more →

‘Pierdom’ by Simon Roberts

Simon Roberts is a British photographer whose work centres on questions of people and place, particularly in regard to the construction and promotion of national identity. From 2011-2013 the... Read more →

A geography of resistance: Locating US underground film and TV cultures

The latest collection from David E. James[1] and Adam Hyman (filmmaker and former executive director of the Los Angeles Filmforum) offers a historical and critical representation of the emer... Read more →

Dreaming of Cinema / Slow Cinema

Adam Lowenstein’s Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media (New York: Columbia University Press, 2015) and Slow Cinema (Edinburgh: Edinburgh University P... Read more →

Films from Asia, attention around the world: 18th Far East Film Festival, Udine

Debuting in 1999, Udine’s Far East Film Festival is the only film festival in Europe dedicated to East Asian popular cinema. Over the course of its 18-year existence the festival has been ... Read more →

Virtual futures and cinematic pasts at the 65th Melbourne International Film Festival

The annual Melbourne International Film Festival (MIFF) ranks among the oldest film festivals in the world. Launched in 1952 by enthusiasts seeking to watch films that were otherwise unavail... Read more →

How do film festivals work?: A conversation with Joshua Oppenheimer

Few documentary filmmakers have been as widely discussed in recent years as Joshua Oppenheimer. He burst onto the scene in 2012 with The Act of Killing, one of the more powerful feature-leng... Read more →

New media configurations and socio-cultural dynamics in Asia and the Arab world

Today more than ever new media and digital technologies are embedded in everyday life and socio-cultural structures. In fact, the evolving nature of media platforms, the migratory feature of... Read more →

Complex series and struggling cable guys

Both Jason Mittell’s Complex TV: The Poetics of Contemporary Television Storytelling (New York: New York University Press, 2015) and Amanda Lotz’s Cable Guys: Television and Masculinitie... Read more →

Rediscovering Frantz Fanon at Scotland’s Africa in Motion film festival

The Africa in Motion (AiM) Film Festival was founded in 2006 by Lizelle Bisschoff as a solution to the marginalisation and under-representation of African films in the UK. Between 2006 and 2... Read more →